Recording is limited by the available audio inputs and system performance. With WaveLab 10, you can record live audio through the Master Section and optional plug-ins or external effects. The handling of plug-ins and related functionality is now consistent with the Master Section. It is divided into dedicated Clip, Track and Output Inspector sections with tabs for Effect, Gain and Slot. The Effect Tool Window has been redesigned to become the Montage Inspector.
Effect Tool Window becomes Montage Inspector. This way, it’s possible to recover earlier versions of the edited parts without losing changes made to the rest of the track. The system tracks versions representing entire wave files, not just edits. Steinberg worked a “completely new” undo/redo edit history system into the Audio Editor workspaces. Up to three external editors are supported. In Version 10, you can use external audio editors to edit an audio file or audio clip range within WaveLab, non-destructively. Currently, external effects are not supported within the batch processor. There’s a new External Effect ASIO plug-in which configures send and return audio between your computer and hardware. WaveLab 10 lets you set up external FX buses to use external processors as Clip, Track and Output effects. Video was never a priority of WaveLab’s development, but it’s interesting to see this addition (even if it’s a bit late). 
Obviously, it’s great to have a quick way to do this when mastering against a reference.Īrrange, edit and process the audio track of an imported video file while seeing it displayed as a clip.
Switch between reference and montage track playback without glitches or latency. So what’s new in WaveLab 10? Let’s have a closer look at the most important new functions.
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